There are twenty-two days left until NaNoWriMo. I’m getting a little more scared, but also way more psyched up. My boyfriend and my dad have both decided to participate, which is exciting. I’ve never really done NaNo with anybody besides me, myself, and I. I’m also going to be living in the city while really-for-real-not-quitting-after-three-days participating, which is also awesome. I’m a Real Adult now and the idea of going to write-ins or other local NaNo events isn’t completely scary now. I’m also doing some NaNo-related stuff for work, which means I’m thinking about NaNo all the time instead of just when I’m in productive leisure mode (the rarest mode of them all).
The most exciting piece of prep I’ve done so far this month has been writing a synopsis for my novel. It wasn’t as hard as I thought it would be, considering that I haven’t been 100% sure what my story was even really going to be about. But I tried to treat it like I used to treat thesis statements in my college essays. It’s a possible roadmap for where I’m going that will get me asking the right questions, but I may go down a back road and find something totally unexpected but way better than what I started with. I may end up writing something entirely unrelated to the synopsis/thesis and end up having to rethink it altogether. And that’s fine. The point is that I have a starting point and have told myself what direction to start going in.
Here’s the synopsis so far:
In writing just those first few hundred words, I learned some new things. The city people are definitely going to be some of the main antagonists in this story, but I didn’t have a fully realized idea of how that would happen. I still think I need to rework some of my ideas about them. Like, for example, I don’t necessarily want to write a story where violence is the answer/the main conflict. But the premise I’ve given myself leans that way. So my current options are: 1) continue with this premise and then subvert the violence paradigm by having Masha always choose nonviolence and use more creative problem-solving, or, 2) change up my premise and have the issue be more internal. The girl that Masha picks up – she’s damaged. She’s been stewing in a deeply toxic ideology for a long time. Maybe that girl causes problems because her social training just doesn’t work in a society so radically different from hers. Maybe she tries to apply city rules to the community she moves into and it causes conflict.
It’s an interesting choice to make. I’m not entirely sure how I want to go about it. I have this idea of what I want this book to be, what I want it to say and mean, but I haven’t yet figured out how to get there. I’m really happy I’m already thinking about these questions, though. This story has been rattling around in my brain for months, but this is the first time I’ve actually really put pen to paper and done anything real with it. I definitely think that that’s worth doing before November 1st, especially if you’re a Planner rather than a Pantser. (That is, if you prefer to plan ahead for your novel rather than flying by the seat of your pants.)
I still have a lot of questions that I need to ask myself in the next few weeks, but I feel really happy about where I’m at right now. Definitely feeling more confident in my ability to finish this year than I have ever felt before.
How are you preparing for NaNo? Are you a Planner or a Pantser? Share your thoughts in the comments!